There was a lot of fascinating stuff at last Sunday's Oscar show - Christopher Walken looking like a cadaver, Sophia Loren looking like a piece of plastic – but the cutest thing, of course, was the presence of those little urchins from Slumdog Millionaire, the film that ran off with all the important awards it was nominated for.
Weren't they sweet? The whole thing makes you want to take the whole family to see this heartwarming feature. Don't do it.
As I said in my last post – which triggered so many of you – this is one of the most unnecessarily violent films ever to take Oscar home.
Yes, I left out the word "unnecessarily" which messed with my meaning, but for the record, my point is that this film could have been as exhilarating as it had to be, without sustaining its one-note edgy tone and without the hero oozing snot and dripping blood during a torture scene in the first two minutes.
Thanks for the responses from those who think I don't know what movies have won Academy Awards.
Let me be clear:
- Movies about war and battle – Braveheart, Gladiator, for example – need the violence to be authentic.
- No Country For Old Men, a movie I didn't like but not because it was violent, is about drug wars and thus need to convey dealers' violent ethos to be convincing.
- And Silence Of The Lambs works precisely because it doesn't deliver the gore it promises. Yes we see Buffalo Bill's hostage in a small room, but most of the time we're fearful of what Hannibal Lector might do to Clarice and anyone else who comes near him. He's one of the most menacing villains in the history of movies, but the genius of Jonathan Demme's approach to the story is that we never see Lecter do any of things we know he's capable of.
This year's Oscars only served to perpetuate the misconception – pumped up by the film's misleading trailers – that Slumdog Millionaire is family fare. Oscar-winning score composer A. R. Rahman speechifying about how he chose love over hate, Danny Boyle pretending to be Tigger for the benefit of his kids when he hopped up to accept, the joyful award-winning Bollywood musical numbers and, of course, the cast's endearing tiny tots accepting the best picture award - all guilty of false advertising.
Like I said, Slumdog's for adults only.
TUESDAY | FEB | 09 | 2010
- Latest Daily Content
- What lies ahead for Adam Giambrone?
- Happening NOW: February 9, 2010
- Glen Murray, provincial bellwether?
- Dinosaur Jr. @ Sonic Boom
- The Light In The Piazza
- Weather wacko
- Happening NOW: February 8, 2010
- Robin Lacambra
- Hungarian House for sale
- Easy on your junk when you’re drunk
- Recent Comments
- lucy on The White House
- Dee on What lies ahead for Adam Giambrone?
- les on A plan to save Haiti
- DeeJayFabi on Lil Wayne
- tootsie on Romantic restos
- Maverick on What lies ahead for Adam Giambrone?
- Maverick on What lies ahead for Adam Giambrone?
- KG on Apple’s almighty iPad
- Most Commented
- Prorogue warriors (63)
- Stephen Harper slithers through Toronto (28)
- Gay strip on the block (26)
- Prorogue protest (18)
- A harsh history of Canada in Haiti (17)
- Apple’s almighty iPad (17)
- Hidden Agenda.com (16)
- Sleepy collector awakens the TTC (15)

- Podcasts
- >> MORE PODCASTS



189 Church St, Toronto ON M5B 1Y7 | Telephone 416-364-1300 | Front Desk Hours: Monday - Friday 9am - 6pm | email
This is perhaps reason enough to be personally disappointed in the movie going experience but it's a ludicrous point on which to hang professional criticism.
Sorry that Danny (Trainspotting, 28 Days Later) Boyle did not make the family fare you were looking for. Anyone with half a brain could have figured this one out even without the 14A rating.
Susan Cole is NOW's movie section's Tim Perlich.
This is perhaps reason enough to be personally disappointed in the movie going experience but it's a ludicrous point on which to hang professional criticism.
In Slumdog by contrast there is a riot by Hindus which is based on real events. A brutal police interrogation and a fatal shooting. I don't think the violence in Slumdog is unrealistic. If anything the depiction of life there is somewhat sugarcoated.
I don't see how you can compare the almost pornographic , unrelenting violence in "No Country" to the minimum level of violence in Slumdog.
I've heard some criticism of Slumdog but not one that took it to task for being to violent.
Comparable in that they both deserve to be unemployed as critics, and are both out of touch with the majority of NOW's reader.
There's a difference though. Susan both doesn't know what she's talking about and is bad at expressing it, whereas Tim mostly knew what he was talking about and yet was even worse at expressing it.
But at least the 'what the fuck is this?' car crashness of Susan's columns attract readers, whereas Tim's off putting smugness drove people away.
"Should Slumdog take the best picture Oscar, it will be the most violent film to do so ever."
For you to try and justify it now on the necessity of the violence is shameless retconning to cover your ass. You got owned by dozens of readers for your inept laughable article and you're trying to save face by parsing your own words.
Just admit you were retarded and move on to your next retarded statement already.
"Should Slumdog take the best picture Oscar, it will be the most violent film to do so ever."
For you to try and justify it now on the necessity of the violence is shameless retconning to cover your ass. You got owned by dozens of readers for your inept laughable article and you're trying to save face by parsing your own words.
Just admit you were retarded and move on to your next retarded statement already.
Most redundant title ever for a 14A film
You should be fired. Is that all you're trying to say? Because we got that from the certificate.
Get a real reviewer already.
All comments are reviewed. HTML links are not allowed.