Perhaps the modest price of living in a cosmopolitan city like Toronto is that we occasionally play host, symbolically at least, to conflicts from overseas.
In some cases the battlefield a major highway, in others it's no bigger than the stage at the theatre Passe Muraille. That's where Seven Jewish Children: A Play for Gaza begins a three-night Toronto run tonight, ringing the bell on the latest sparring round between Israel’s defenders and their pro-Palestinian critics.
The play, penned by British playwright Caryl Churchill, consists of a series of monologues depicting Jewish adults through several generations grappling with how to explain anti-Semitism, occupation, and war to their children.
The work is short - only ten minutes long - and climaxes with parents trying to justify Israel’s recent lopsided offensive against Gaza to their children. “Tell her I look at one of their children covered in blood and what do I feel?” says one character, “Tell her all I feel is happy it’s not her.”
Who could take offense at that?
Seven Jewish Children was first staged at London’s Royal Court theatre, where critics were divided over its merits. Some called it high art, others anti-Semitic propaganda.
It has since been performed in Chicago, New York, Washington and earlier this month in Montreal. American Pulitzer Prize winner Tony Kushner described it as “dense and beautiful,” but Jewish human rights organization B’nai Brith has said “it makes a horrific statement about the Jewish people.”
In an open letter to David Miller, the group urged the Toronto mayor shut down tonight’s performance, arguing that no theatre that receives taxpayer money should stage a play that could incite hatred.
This isn’t the first time a work of art criticizing Israel has had trouble being staged in Toronto. In 2007, a performance of My Name Is Rachel Corrie was pulled from the St. Lawrence Center after outcry from the city’s pro-Israel community. The work told the story of an American activist who was killed by an Israeli bulldozer while trying to stop the demolition of a Palestinian home, and eventually made its debut at the Tarragon in May of 2008.
More recently, artist Reena Katz had her exhibition at the Koffler Centre cancelled because organizers found out she was involved Israeli Apartheid Week.
What‘s amazing is that Churchill’s play is so good even the people who want the production stopped admit Seven Jewish Children is an amazing piece of theatre. “The fact that she’s a great playwright and this is a brilliant play only makes it that much more deceitful,” B’nai Brith president Frank Diamant told CBC radio. To add more fuel to the fire, the Toronto production will feature heavyweights of Canadian theatre, including R.H. Thompson and Rosemary Dunsmore.
For all the combative rhetoric that has surrounded the play, even a first year drama student can see that Churchill is speaking to a reality that is much more complex than Israeli vs. Palestinian. The Israelis she depicts are trying to give their children a national history that makes sense, but they can‘t even make sense of it themselves, and who can blame them. A quick scan of Israeli op-ed pages reveals that many Israelis are deeply conflicted about the country’s history and the legacy they’re leaving their children. Recent polls indicate most Israelis want an end to the Occupation.
Unfortunately, the controversy surrounding Churchill’s play is bound to obscure its complex message. Caught in a crossfire of accusations of intolerance, it’s now nearly impossible for any audience to judge this play on its dramatic merits. Perhaps it was a well-honed sense of cynicism that made Churchill structure the performance as a series of monologues. A productive dialogue between these groups just wouldn’t seem believable.
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What I'd like to see is a play with the same brainstorming going on in a HAMAS thug's head before he tricks a "dishonoured" girl or a braindamaged 14 year old boy to don a suicide-bombing vest and go into a crowded Israeli bus and blow themselves up.
I wouldn't call this play anti-Semetic, but just terribly misguided and a big copout. It's open season on Israel and so it's ridiculously easy to write such a play. Go write a similar play about the "Palestinians" and I guarantee you their sympathizers will be violent and who knows - maybe will blow someone up :(
Kind of like if Caryl Churchill did a play that showed South Africans as savage google-eyed idiots - would that be okay because it's not about every black - just South African blacks?
Or that would still be racist, wouldn't it, just as this play is antisemitic?
And of course "7 Jewish Children" is not just about Isralis; note the title: it's about Jews and how supposedly Jews have turned into Nazis.
(Note: the name of the play has the word "moslem" in it, because it's about Palestinians....just like the other play has the word "jewish" and the pretense is that it's about Israelis)
It's hard worki killing Jews when they fight back.
That self-hating Jew (not) Noam Chomsky has documented this, and the same type of people that have been firing off extreme email missives in this space tried to stop people from reading Chomsky's articles by raiding paperboxes and throwing the newspapers in which they were printed into the garbage.
Speaking of which, hateful extremists such as Hamas typically arise in societies that are completely demoralized. Conscientious Israelis are well aware of this, and I think Churchill's play focuses on the internal conflict many feel about what is happening.
It's interesting that Israel's main ally in this one-sided military conflict is the United States, whose own history of theft of land from native inhabitants is well documented.
I am a non-Jew, and specious accusations of anti-Semitism have no effect on me. I owe you nothing but a recognition of your humanness. There is no question that there are anti-semitic schools in the Middle East, but consider that many Arabs consider Israel to be directly aligned with the Western nations that have plundered their territory since the 1800s.
The parents don't believe these things, they are trying to tell their children things that will not upset them.
If you saw citizens of an enemy country dead on tv, what would you tell your own child? Might you tell them that these people deserved it? Wouldn't you want them to believe they lived in a world where innocents survive and the guilty get what they deserve?
Maybe the point of the play is to ask to what extent we adults should believe these rationalizations, and whether they are enough to justify what happened in Gaza this year.
My main quarrel with the play is that its anguish about the mistreatment of Palestinians by the Israelis is really about man's inhumanity to man, and it's not really fair for the playwrite to focus her outrage specifically at the Israeli-Palestinian conflict.
The fact is that the armed forces of every nation are trained and brainwashed to be killers. Otherwise, they could never fight in a war and kill another human being. In this, the Israelis are no different and no worse than anyone else. This is the inhumanity and brutality of all wars everywhere, not just the War in Gaza.
newsflash: critics of israel are sophisticated enough to differentiate between zionism and jewry. by underestimating the knowledge of israel's critics, zionists who support israel - permitting carte blanch behaviour - continues to alienate not only israel, but themselves. retreating into the faux outrage and accusation of anti-semitism, more and more, falls on deaf ears.
each time PR campaigns which call for the censorship and banning of artistic content critical of israel, it only fortifies what the world has begun to grasp: the truth of the conflict within the occupied territories.
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