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report date: May 15, 2001By JOHN HARKNESS CANNES - The Croisette, the beach neighbourhood, blacked out for about two and a half hours yesterday. Early reports are that the outage was caused by a power overload in the Palais des Festivals that didn't, somehow, affect the Palais - at least not the parts I was watching movies in. A Lebanese journo was trapped for the full two and half hours in an elevator in the Hotel Grey d'Albion. The frightening thought, given what we know about people's behaviour during blackouts, is that next year there'll be a lot of three-month old babies being dragged along the Croisette, each with his own Prada bag and cellphone. THE GLOBAL REACH - Of Canadian culture, of all things. When I head up the hill to my hotel at night and switch on the TV, I keep finding CanCon: Avonlea on TeleMonteCarlo, some ultra-cheap, straight-to-cable thriller with Andrew McCarthy as a bad guy on RAI2, and last night on Arte, Atom Egoyan's The Sweet Hereafter, letterboxed and with subtitles. SPEAKING OF LETTERBOXING - The techno toy of my dreams is all over the place this year. Almost every stand in the market has a couple of huge, wide-screen, high-definition-video TV screens up and working. If I ever get one of these, I may never leave my house again. SCARY - Each of the daily papers here (there are about seven of them) has a "jury" of international film critics rating the competition films. On the English side, the film with the highest cumulative score is the animated Shrek. PREVIOUS REPORTS:
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