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Leslie Arden is one of our best musical theatre creators. We see her work all too rarely, so treat yourself to the world premiere of The Princess & The Handmaiden, a Grimm Brothers-type tale filled with tuneful music and clever lyrics in a production that would be hard to top.

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Hark! We’re getting into holiday hoopla gear. The seasonal sneak attack of peppermint coffee, sparkling store windows and jolly jingles is in full force, and our guide to the city’s best style, tech and eco-friendly gifts is here to put you in the giving spirit.

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Do you hear what I hear? Well, besides the Bing Crosby Christmas carols filling mall corridors, that would be the chiming of cash registers as corporations the world over fire up their sweatshops and start tallying their holiday profits. If handing out mall socks and sweaters is starting to ring hollow for you, consider injecting a little more feel-good factor into your prezzie shopping and give out gifts that pay it forward.

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Let’s speak no more of seeking provincial and federal “funding” for public transit. We don’t want “funding.” We want our money back.

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We did it. We got the Pan Am Games.

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There are endless ways a shopper can approach the store-saturated strip of Yonge between Eglinton and Lawrence.

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Launched exactly one year ago, low-key Loire deserves to be applauded as much for what it does – soberly priced contemporary plates with a decided French accent – as for what it doesn’t do.

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THE EVENT: The Garrison Open House, w/ Diableros and Foxfire, November 12

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Sunday Apr. 22nd, 2007 at 13:15 PM

Unlike that other film festival, Hot Docs doesn’t rely on star power to sell its films. That doesn’t mean there aren’t celebrities attached to the movies, often providing voice-over narration.

But a couple of films at this year’s Hot Docs feature celebs in different ways. Paging through the program book, I thought I recognized Tilda Swinton’s (Orlando, Adaptation) high-cheekboned self in the entry for the film Strange Culture. Surely, I thought, some ordinary person can’t have the evil Queen of Narnia’s cold porcelain beauty.

Swinton, it turns out, plays one of the film’s real characters in a series of dramatic recreations. Her character is part of an art collective who deal with genetically modified foods. She police discover petri dishes and chemicals in her home, they suspect the artists are bioterrorists. It’s a fascinating, disturbing look at post-9/11 paranoia and artistic freedom, and Swinton’s participation speaks volumes.

What’s fascinating is that we also get to see Swinton and the other actors as themselves commenting on the film and its issues. At times it’s almost as confusing – and entertaining – as watching Adaptation. Except this is real.

Another film that might get some buzz because of the starry names attached to it is Nanking, a which tells the story of the Japanese occupation of Nanking mostly through the eyes of a group of Westerners living there at the time.

Actors like Mariel Hemingway, Woody Harrelson, Jurgen Prochnow and John Getz read letters and diary entries directly to the camera. At first, the technique is off-putting. But gradually it gives the film texture and the lives immediacy. The most vivid entries, however, remain those of the people who actually survived the raping and pillaging of their city.

I wonder how long it’ll be before someone creates a lavish historical drama about Nanking, based on the material that directors Dan Sturman and Bill Guttentag dug up.

Minnie Vautrin’s (played by Hemingway) story is particularly poignant. She singlehandedly ran a school for girls and helped protect them and other civilians from Japanese brutality. She survived the war, but her end is tragic.

Laura Linney would be perfect in the role.

Strange Culture screens April 25 at 6:30 pm at the Bloor and April 28 at 9 pm at the Royal. Nanking screens April 26 at 7 pm and April 28 at 9:30 pm, both at the Isabel Bader.

GLENN SUMI

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