nxne 2002
articles schedule
NXNE DIARY : FRIDAY, JUNE 8
By TIM PERLICH

The mystery of the showcase listed as simply MapleMusic Allstars in the Horseshoe's 9 pm slot was intriguing enough to check out, considering the impressive stable the Cancon-conscious star-up label has assembled from the talent the major labels are too clueless to sign.

Once host Andy Maize finished thanking the entire industry in his opening spiel, an acoustic three-piece version of the Supers took over the stage and hogged the spotlight for the next 30 minutes of what was supposed to be a 40-minute slot, total. Admittedly, their countrified spin on A-ha's Take Me On was stoopid brilliant, but five tunes was three too many when members of Blue Rodeo and the Barenaked Ladies were waiting in the wings.

When Ladies man Ed Robertson finally came out – casually attired in what looked like pyjama bottoms – it was only to accompany his protιgι Jason Plum, whose gorgeous closer, Satellite, should be a massive pop hit. All of that was quickly forgotten as soon as Maize, Jim Cuddy and Josh Finlayson nailed their three-part harmony on their awesome blast through Andrew Cash's You've Got A Lot of Nerve. They'd be crazy not to cut it as a label-launching single.

But enough of MapleMusic, as the Tammy Faye Starlite buzz was beckoning from the Bovine Sex Club. The joint was jammed so tight by 9:55 pm that the door dude was declining the $20 bills being dangled in front of him. Clearly, manager John Lomax Jr. had done his job getting the word out, although the Starlite razzle-dazzle didn't live up to the hype. Sure, the kooky sermonizing about the coming apocalypse was mildly entertaining, but the worrying revelation that Britney Spears is an anagram for Presbyterians isn't really enough to build an act around.

Conversely, Tel Aviv's RockFour weren't big on stage banter, but their delightfully skewed take on freakbeat – combining mod-ish bashing with prog-like changes – was captivating in ways their mediocre Rainbow Quartz debut never suggested. These fools need to get out of Israel more often.

The other big buzz for the night belonged to D-Sisive, who had promised to top all previous performances for his NXNE spot at the Tequila Lounge. A tall order considering past nuttiness. But with a Scotsman ventriloquist, Chuckie the Sodomizing Chicken, the Doo Wops, and someone masquerading as Remy Shand who sang a love ballad to MuchMusic's George Stroumboulopoulos, who was standing up front, D-Sisive actually made good on his promise, proving himself the hiphop showman to watch.

Saturday buzz

Charlie Is My Darling – Andrew Loog Oldham's revealing Rolling Stones documentary gets an extremely rare screening at the John Spotton Cinema (150 John) at 8:45 pm, with the charming ex-Stones manager in attendance. It's preceded by a 90-minute director's cut of the hilarious cult rocumentary Heavy Metal Parking Lot at 7 pm. Get there early; all previous NXNE film screenings have sold out.

Ghetto Concept – T-dot hardcore hiphop crew, at the Horseshoe, 9 pm.

Iffy – Run Westy Run turn Minneapolis funkateers, at C'est What, midnight.

Mooney Suzuki – the Strokes without the hype, at the Horseshoe, 1 am.