When love looks too good to be true, it probably is. Feminist playwright Bryony Lavery zeroes in on those ooey-gooey couples who finish each other’s sentences and think and act as one. As this slow-burning psychological drama unfolds, its clear she isn’t buying the act.

Back in 2003, Cirque du Soleil co-founder Norman Latourelle put horses in the spotlight in his equine opus Cavalia, which has since hoofed it around the globe. Now he’s back with the grand-sounding Odysseo, and he’s added some Cirque glitz to the proceedings, resulting in a sharper show with jaw-dropping production values.

When British playwright Davie Storey talks about going Home, he doesn’t simply mean returning to a place of comfortable familiarity.

Over the years, Theatre Sheridan has produced many fine musical theatre performers, but the school has raised its profile with the exciting Canadian Music Theatre Project initiative earlier this spring and now with the transfer of their production of Jonathan Larson’s Rent to the Panasonic Theatre.

You could be in the audience at Sarah Illiatovitch-Goldman’s Pieces dozens of times and never see the same play twice.

Aluna Theatre’s hitting the right dramatic and political notes in Panamerican Routes/Rutas Panamericanas, the first Toronto theatre festival devoted to human rights, presented in association with Theatre Passe Muraille.